Sunday, May 13, 2018


Parasite (1982)

Image Source
In the dystopian near-future of 1992, atomic fallout has destroyed America's major cities. Orphans are forced to do labour in the Suburbs for The Merchants, a group of suit-wearing, sportscar driving elites. Outside of the suburbs, the countryside is a blasted wasteland where nothing grows, "sickos" roam, and the few remaining people use silver as the only currency. None of that has anything to do with the plot of this movie, which follows a scientist (Robert Glaudini) who accidentally infects himself with a parasite of his own making and like... tries to find a cure and stuff.

This movie inspired a raging conflict within me because the world it's set in, while extremely derivative of much better films, is really fucking cool. It's sci fi, it's horror, it might be a western, it's occasionally really funny (I think intentionally?) - like all of the characters in the town that buddy ends up in are obsessed with lemons for some reason - seriously, one guy even takes a bite out of a lemon and eats it like it's a fucking apple. There's a fucking great scene at the beginning where the Robert Glaudini "rescues" this woman from being raped by a wasteland savage only to find out it's kinky roleplay and get attacked by her.

It also has a few moments of decent storytelling. For example, early in the movie, the main guy is wrestling with the boyfriend of the aforementioned woman and rolls him towards a rattlesnake which strikes and incapacitates the guy, allowing Robert Glaudini to get the upper hand and kill buddy. He uses this same move at the end, rolling the villain (James Davidson) towards the parasite/monster/thing with similar results. I'm going to go out on a limb and call this clever foreshadowing.

The secondary antagonist (Luca Bercovici), the head of a group of wasteland orphans who escaped forced-labour in the suburbs and has the Merchant logo heavy-handedly branded on his wrist has a surprising depth of character. He goes from harassing Demi Moore and the local shopkeeper (Al Fann), and robbing and abducting the main guy, to feeling personal responsibility for the lives and deaths of his gang members, and sacrificing himself to save the shopkeeper from the primary antagonist at the end. His development felt very natural, and he ended up being the only character I gave any fucks about in the movie.

I did genuinely enjoy this movie, although to be fair I took a break in the middle to watch Jeepers Creepers 3 (which I refuse to review on principle) and then re-watch Bram Stoker's Dracula to scrub the memory of Jeepers Creepers 3 out of my mind, and then go to sleep because I drank a fuck ton of wine. I think if viewed the whole movie in one sitting it might have been intolerably boring, coz there are long stretches of absolutely nothing happening. So... take my approval with a grain of salt I guess is what I'm saying.
Look how cute it is (Source)

The monster, a giant leech-thing designed by Stan Winston, was probably the best thing in the movie and goes to prove that Stan Winston was down for anything at a certain point.

It's moderately gory and the gore effects are passable. There was even one scene where the parasite suddenly busts out of somebody's head which did me a startle so, yknow, that was effective. The villain died an almost unnecessarily horrible death, getting attacked by the monster, then caught in an explosion, then burning to death.

All of that said, Parasite is not without its downsides. First of all, it was directed and produced by Charles Band, whose movies I vowed to never watch again after suffering through The Lurking Fear and Ghost Town for Paths of Glory. However, I didn't realize that he was behind this particular movie until I was almost ten minutes deep and committed to watching the stupid thing. It bears the cheapness, inanity, and general incompetence I have come to expect from his movies.

The whole thing is basically just a bunch of shit from better movies - the monsters from Alien, Rabid, and that one episode of Star Trek, and the setting from A Boy and His Dog and Mad Max - poorly recreated and haphazardly slapped together.

For fuck sakes (source)
While the monster and gore effects are acceptable, the makeup effects are really not. The parasite sucks the life out of people, I guess, and turns them into grey, wrinkly bullshit that I'm pretty sure I could recreate in about twenty minutes in my bathroom. At a certain point it's not even worth having makeup effects, and this is that point.

It was made during one of the 3D crazes of the last century - this issue is more of a personal taste thing (unlike my other, completely objective criticisms of this movie) because I fucking hate 3D. The whole point of it is to put you "more in the movie" or whatever, but it does the exact opposite, drawing attention to itself. Like there's this part where a guy gets impaled on a pipe and his blood starts running out of the pipe (which, if I remember correctly, is ripped off of Tourist Trap, also produced by Charles Band, and actually a good movie so maybe I'm being too hard on the guy) which should have been really cool but it was all weird and out of focus because of 3D fuckery.

The writing is probably the most offensive part of the movie. Not just the dialogue, which is so bad it borders on disturbing, but also structural elements. Like when the villain is following the main guy through the desert, he hits all the same stops buddy went to but in a different order. That doesn't even make fucking sense. And when the main guy finally figures out how to kill the parasite inside him using high frequency sound waves, there's no explanation of how he came to that conclusion. He's just like "sound, that's the key!" out of nowhere.

Also, did I mention Demi Moore is in this movie? She plays the local lemon farmer in one of, if not her first, leading roles and she's really fucking bad. But not as bad as Robert Glaudini who is only there to read his lines with the emotional range of a god damn cabbage and sweat a lot. Honestly, if he had put a modicum of effort into his role this movie probably would have been at least 12% better.

Overall, though I enjoyed this movie for some reason unknown even to me, it's a discordant, derivative mess and probably not worth watching for regular, sane people.

- Dream/flashback sequence has trippy Mario Bava blue and red lighting (+1)
- Lemons. (+2)
- Adorable tarantula (+1)
- Weaponized rattlesnake (+1)
- Stan Winston was involved (+1)
- Ray guns rule (+1)
- Awesome 80's wasteland punks (+2)
- Hand-severin' action (+1)
Total: (+10)

- Poor lab safety - seriously, the only reason the main character becomes infected in the first place is because he's got these super nasty parasites in a fucking petri dish and gets jostled by somebody in the lab and they get spilled on him. This entire movie could have been prevented by a strip of fucking parafilm (-1)
- Movie can't decide what it wants to rip off (-2)
- Charles fucking Band (-1)
- Originally in 3D (-3)
- Terrible, terrible writing (-3)
- Terrible, terrible acting (-2)
Total: (-12)
Final Score: -2 stars

Directed by: Charles Band.  Written by: Alan J. Adler, Michael Shoob, Frank Levering.  Starring: Robert Glaudini, Demi Moore, Luca Bercovici, James Davidson, Tom Villard, Vivian Blaine.

No comments:

Post a Comment